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  3. 'i prevail back in the day' lol there is no back in the day for them. Its right now, today. But yes i agree with everything else you said
  4. It's a shame that the breakdown is the best part of the song.
  5. I guess I shouldnt be surprised anymore but.. how do people manage to dislike this song
  6. YoOooooo, cannot wait to listen to the instrumental version of The Dreaded Mystic Abyss!
  7. I'm loving this!! thanks for introducing this band! Cannot wait for their EP release!!
  8. this is great really catchy and much better than "heavier"
  9. This is definitely his best release, unexpectedly so.
  10. Release - November 22nd, 2019 Genre - Post-hardcore, Metalcore, Djent Quality - MP3, 320 kbps CBR Tracklist: 01. Agony (3:21) Download Support! Facebook / iTunes
  11. Hey do you know how I can get the Japan exclusive track?
  12. Even if Ben is a freaking beast, i will happily listen to this.
  13. Release - October 22nd, 2019 Genre - Grindcore Quality - MP3, 320 kbps CBR Tracklist: 01. Breathe to Horrify (1:19) 02. Lungless (1:30) 03. Plague Dust Cloud (1:07) 04. Indented Thorax (2:04) 05. Wires (1:03) 06. Chronic Hyperventilation (2:51) 07. Cough, Wheeze, Explode (0:45) 08. Dead Pressure (1:18) 09. Negative Pressure: Positive Pressure (0:04) 10. Pink Froth (1:44) 11. Mechanical Ventilator (2:07) 12. Zero Breathing Drive (1:53) 13. Morgue Codes (1:51) Download Support! Facebook / iTunes
  14. It really feels like there's some sort of identity crisis, multiple personality disorder stuff going on here. The constant cross between songs that want to be soft, ambient, or whatever you might call it, and then bust into heavy ass guitar is really jarring to me. I think they're at their best when they're going hard, it all sounds so sick. But then all the other parts of the song feel like a slightly better Imagine Dragons. I think Gods might be the best representation of this. Super damn heavy, then crosses into something completely different stylewise. I dunno. Nothing blew me away. Higher and The Offering are the tracks that stand out the most, I guess cause they lean most into the parts of Sleep Token I think are the best.
  15. Absolute perfection in deathcore in 2019, hands down. This album was already beyond my expectations after release, and now we have an instrumental version of it. Could we be happier? 🖤♥️
  16. My anus is like when theater curtains open up
  17. Release - November 22, 2019 Genre - Symphonic Deathcore, Instrumental Quality - M4A, 256 kbps (iTunes) ** Personal Purchase ** Tracklist: 01. Melancholy (Instrumental) (5:15) 02. Gravesinger (Instrumental) (3:58) 03. Barren and Breathless Macrocosm (Instrumental) (4:56) 04. Underneath a Sullen Moon (Instrumental) (4:38) 05. Oudenophobia (Instrumental) (4:09) 06. Embracing Nocturnal Damnation (Instrumental) (4:21) 07. Dirge of the Void (Instrumental) (3:18) 08. Chthonic Odyssey (Instrumental) (5:23) 09. The Dreaded Mystic Abyss (Instrumental) (10:25) 10. Malediction (Instrumental) (5:40) Download Support! Facebook / iTunes / Bandcamp
  18. They really caught time in a bottle with "Bring Me To Life". The sound alone was something new at the time and it had good production quality. If you look at the rest of the albums that followed only "What You Want" was a pretty cool track> "Sweet Sacrifice" has not aged well at all, and "Call Me When You're Sober" was only a radio hit at the time when Amy Lee was a new thing. She is better off as a back up/ guest vocalist as her most popular songs were "Broken" when she was dating the Seether guy and "Bring Me To Life" with the 12 Stones vocalist.
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