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Everything posted by TomoLust
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SYRE is legit such an underrated album, like legit Kanye-tier shit, so I'm super hyped on this. The promise of another four part intro has me wet already tbh Holy fuck there is just a straight up no frills punk rock song on here wtf, goddamn, Jaden brought the old Cudi back out on On My Own too holy fuck this is good
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Oh it's definitely gonna make my list so far too, the songs themselves are great and the production doesn't change that. Additionally, the production works for I'd Do Anything but only because it's an entirely fucking different song than anything else on the album or that they've ever done, and I'm gonna go ahead and say it might be my new favorite song of 2019. Absolutely fucking crushingly powerful song, the last chorus had me in tears on my first listen.
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That's exactly the thing, the production definitely does seem like a conscious choice, because like I said, that's what Fridmann is known for, that over-compressed/over-saturated raw sound. It works for some bands, especially ones he's known for producing like The Flaming Lips and Number Girl, but it just doesn't work for Baroness. Which is a shame, because the songwriting here really is masterful, these guys have been honing their craft and getting better with each album, but I think this one is to the point where the production is so distracting that I don't nearly enjoy it as much as Purple. Otherwise, I'd say my ranking of their discography up to that point goes chronologically until this one, which I would put behind Purple now; it wasn't as bad or distracting on Purple, but it's just fuck awful at some points here. Enjoying the fuck out of these songs, but goddamn, I'd fuck for even a live album at this point just so I can enjoy these songs without the shitty production gimmick lmao
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Listen to how rough Throw Me An Anchor in particular is; listen to how the guitars legitimately sound like they're being squashed, the sound of them mixed in with the drums are actually distorting, it sounds like they're growing in size and trying to break out of a room that their mass is becoming greater than - this metaphor is almost exactly what the mixing process is like - the sound is so loud that it's literally hitting the "roof" of the limiter on the master bus and clipping because of it. It's atrocious, which is such a shame because the songs themselves are fucking exquisite. Even if these were the most perfect songs ever written though, there's no possible way that this album could be a 10/10 solely because the mix drags them down.
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Based on the mix on the last single, this is gonna be a rough ride to say the least. It's a shame too, because their songwriting is top notch, as is Fridmann's production, but not in tandem. Fridmann's production work on the last two Number Girl albums is fantastic but it worked so well because Number Girl is an unbelievably raw and powerful band, whereas a band like Baroness deserve super pristine and sparkly production, not clipping and limiting. Why are you booing me, I'm right? Go fucking listen to Sappukei and tell me that Fridmann isn't more suited to a band like that than Baroness.
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Deathspell Omega - The Furnaces of Palingenesia (2019)
TomoLust replied to mR12's topic in Post-Metal/Screamo/Black Metal
Yeah and have you ever noticed that Slayer has sucked massive donkey cock forever? Oh god though, this is such a huge shame to be hearing about tho, fuck nazis forever, we beat em once, we'll beat em again. Damn shame tho, I never really looked into the lyrics on older stuff either, but Paracletus is one of my favorite black metal albums ever. Might have to relook into what it's thematically about now tho -
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Not sure how I feel about it yet. I just wish they would do more, harmonically. So many metal bands are afraid to experiment with harmony and feel like everything they do has to be minor riffage and that they can't experiment with like interesting harmonic structure outside of heavy minor harmony. There are some points on this album where it sounds like they’re just about to go somewhere incredible sonically but then they go somewhere else that’s much less exciting than what I was anticipating. Some of their prior work did that really well tbh, like the grandiose structure of Twilight Of The Thunder God, the way it sort of mildly changes its dominant key during the solo and the chorus is just really fucking cool, and I wish they would do more of that type of thing. Mjölner, Hammer of Thor really succeeds at being interesting in its songwriting. Raven's Flight is the one song in particular that just bothers the fuck out of me, because the songwriter in my head is expecting it to go to so many cooler places and then it just keeps going back to fucking chugging open barre chords instead of going into interesting chord changes that would lift the whole song up. More Amon Amarth is never a bad thing tho, just wish they were trying a little more. idk, 6/10 so far maybe?
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Frank Carter & The Rattlesnakes - End of Suffering (Deluxe) (2019)
TomoLust replied to mR12's topic in Alternative Rock
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